SON[I]A #227. Cuauhtémoc Medina
Deleted scenes
We dig up some unreleased fragments of the interview with Cuauhtémoc Medina that we were unable to include the first time around.
Interview with Mariana David and María Virginia Jaua about the artistic collective SEMEFO, which burst onto the Mexican scene in the early nineties with a proposal that explored the notion and implications of death by manipulating the corpse and its transformations.
The philosopher, art historian, curator and critic José Luis Barrios Lara reflects on the founding myth of the West, modernity, and the invention of the other. He considers identity politics as a political tool and a means for the management of bodies in space, questions the effectiveness of the epistemologies of the South, and interprets the global migration crisis as a form of neo-slavery. A grim scenario in which, he says, certain intersections of art and politics still have the power to destabilise the semantic field of representation and make room for the subversive.
Cuauhtémoc Medina talks about post-colonialism and fetishisation tactics, about the status of museums in global networks, about the role of the market as disseminator, and about how to fight – and try to finally win – the battle for cultural complexity.