Son[i]a #100
With “#01 Armando Andrade Tudela. ahir, demà”, the MACBA launches a new form of production based on the creation of projects conceived specifically for La Capella.
The work of Armando Andrade Tudela is characterized by an analysis of the relationship between form, typology and meaning, in which the observer is cast in an active role when it comes to establishing these relationships. “Synanon”, “Marcahuasi” and “Sin título” (2010) are the three works presented at La Capella, which will remain on show until June 2010.
Son[i]a talks to Armando Andrade Tudela and Chus Martínez.
related episodes
Armando Andrade Tudela
In his work, Armando Andrade Tudela (1975, Lima, Peru) explores concepts relating to modernity and the feeling for history. FONS ÀUSIO #2 is structured around his show “#01 Armando Andrade Tudela. ahir, demà”, was being installed at la Capella MACBA in March 2010. In it, the Peruvian artist begins by explaining processes by which he gave form to his series of sculptures in rattan and steel, two of which, “Sin Título (1)” and “Sin Título (2)”, are in the MACBA Collection. Tudela then goes on to discuss the possibilities he has recently found in film as a vehicle for direct information transmission, considering this a new line of work.
Part II
"Ombres del progrés" (Shadows of Progress) presents a selection of music that played an important role in Armando Andrade Tudela's journey to Marcahuasi, where he made a film named after this strange place.
Part I
"Ombres del progrés" (Shadows of Progress) presents a selection of music that played an important role in Armando Andrade Tudela's journey to Marcahuasi, where he made a film named after this strange place.