FONS ÀUDIO #61
Mireia Sallarès

Mireia Sallarès (Barcelona, 1973) works with life stories. An artist who questions whether she is an artist, her practice pushes the boundaries of contemporary art and filmmaking. She carries out long-term research into lives and turns her findings into stories that give a voice to communities, groups, and individuals around the world. She gives voice to witnesses and accomplices so that they will have a voice, often from the status of foreigners, using interviews as a channel to reflect on concepts such as violence, truth, power, pleasure, legality, love, and work.
In FONS ÀUDIO #61, Mireia Sallarès talks to us about her works in the MACBA collection. We plunge right in with Literatura de Replà, una relectura [Literature on the landing, A Rereading] (2014), Mireia’s first work to enter the MACBA Collection—although it may one day leave it—before moving disjointedly to Història potencial de Francesc Tosquelles, Catalunya i la Por [Potential History of Francesc Tosquelles, Catalunya, and Fear] (2021), a public service for the people of Catalonia. As the conversation unfurls in the opposite order to how it took place, we finish with Las Muertas Chiquitas [Little Deaths] (2009-2016), which Sallarès tells us she can always revisit to find a quote.
related episodes
Núria Güell
In Núria Güell’s (Vidreres, 1981) practice, the museum-institution becomes the actual medium of her art: she manipulates, squeezes and expands it, questions its rationale, blind spots and contradictions, and seeks to transcend its boundaries. Her works always spring from social conflicts that directly affect her, and she uses the strategies of art as platforms to dismantle the logic of power. In this podcast we talk to Núria Güell about her working methods and about the activation of artistic practices that become mechanisms for listening. We reflect on the realm of ethics and morality in art, and on disobediences, psychoanalysis, precarities, the status of the artist and the urgent need to recover the subversive potential of contemporary art.
Marcelo Expósito
In this podcast, we talk to the artist, editor, translator and activist Marcelo Expósito about scales and oratories, about artistic methodologies, political imagination and herbariums. We look at constitutional leaps that broaden opportunities for listening and remind us—from the South—of the rights of the earth, rivers and mountains. Marcelo also tells us about how recombining existing laws and treaties can be a way of updating valuable constructive procedures and reinvigorating non-fascist ways of life, in this new context of historical breakdown.