Son[i]a #311. Alma Söderberg Deleted scenes

Alma Söderberg is a choreographer and performer who works with music and dance. As well as exploring close listening, Alma listens to rhythm and movement, in order to inhabit polyrythm and "simultaneous difference", to quote Eric Davis by way of Alma. In this podcast, Alma tells us about the many musical influences that inspire her choreographic practice: jazz, flamenco, hip hop, and experimental and Afro-American music. She also talks about multiplicity, reduced listening and deep listening, about letting rhythm run through you, about the voice, sharing, idiorhythms, Anni Albers, weaving, learning to wait, and about playing.

André Lepecki talks about the chronopolitics of disappearance, dance, Louis XIV, the acquisition of choreography, testimonial power, object-oriented ontologies, choreopolicing, the writing of movement, and selfies.

Yvonne Rainer talks about the passing of time, the transferability of dance, training as legacy and the body’s filmic decay. About tenacity, physicality, and influences. And about the turns, leaps, and tumbles of a multifaceted career spanning more than half a century.

Art gallerist, critic and curator Gigiotto Del Vecchio talks about some of the key aspects of The Living Theater: an attempt to break the fourth wall and promote ideas of anarcho-pacifism and liberalism around the world.

Jennifer Lucy Allan talks about metereology and aurality, about volumes, distance and communities, about sounds disconnected from their function, holes in YouTube and holes in official archives, amateur archivists and... foghorns.