SPECIALS

OBJECTHOOD #4. 25.11.2015 (70' 56'')

Nabil Ahmed, Arie Altena and Antye Greie-Ripatti go deep underground and underwater to explore the slippery materiality of untraceable objects.

SON[I]A

#216. Franco "Bifo" Berardi. 03.11.2015 (45' 17'')

Bifo talks about mass killings in relation to cinema, mental health, neuroplasticity, friendship, irony and, ultimately, hope.

SPECIALS

FONS ÀUDIO #36. Matt Mullican. 29.10.2015 (31' 45'')

Matt Mullican tells us about life on the other side of the mirror, explains different ways of handling a corpse, and talks about the mind’s endless capacity to create imaginary worlds.

SON[I]A

#215. Michel Feher. 15.10.2015 (40' )

French philosopher Michel Feher talks about the neoliberal project and its repercussions on education and culture.

CURATORIAL

PROBES #14.1. 15.09.2015 (44' 37'')

A detour to show how a collision of folk mechanisms, social upheaval, sound recording and electrification underpinned the growth of a new polyglot musical language, and a new aesthetic constituency.

SON[I]A

#212. John Chowning. 25.08.2015 (35' 26'')

John Chowning talks about being a pioneer in a discipline at a time when using computers to generate music was a leap into the void between creative eccentricity and scientific adventure.

CURATORIAL

INTERRUPTIONS #19. The possibility of drumming. 08.06.2015 (195' 16'')

Innate music, innate rhythms, universal grammar, YouTube-anthropology, vestigiality, rudiments, Swiss mercenaries, acid techno and other elemental forms of expression.

SON[I]A

#207. Eyal Weizman. 25.05.2015 (37' 09'')

Eyal Weizman talks about the basic principles of forensic architecture, its practical applications, and its links to the world of art and creation.

SON[I]A

#203. Rasha Salti. 03.02.2015 (40' 41'')

Rasha Salti shares her postcolonial analysis of artistic production in modernism, which favours new narratives about the former East and West.

SON[I]A

#201. Georges Didi-Huberman. 07.01.2015 (21' 45'')

Georges Didi-Huberman talks about the problems regarding the way in which we see and interpret images.

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