EXTRA

A conversation between Déborah Gros (Syntone) and Anna Ramos about Ràdio Web MACBA.

CURATORIAL

Anna Friz’s mix and text present a collage exploring the environment, morphology and taxonomy of the little people inside the radio.

SON[I]A

Megan Prelinger talks about ephemeral literature, the inner workings of the Prelinger Library and the possibility of looking at the world through the lens of everyday evidence.

EXTRA

A chronology of how the term 'radio' has been used until it became a shared notion and concept, recovered by Megan Prelinger.

SPECIALS

David Crowley looks at Oskar Hansen's links to the twentieth-century Polish electroacoustic scene, and the role of the experimental radio studio in Warsaw at the time.

SPECIALS

Franco Berardi remembers the days of Radio Alice, a legendary free radio in the seventies.

EXTRA

What is Radio Art? What are we doing? Ben Vida, Felix Kubin, Goodiepal, Kenneth Goldsmith, Jon Leidecker, Tetsuo Kogawa, Chris Cutler and Roc Jiménez de Cisneros answer these questions.

CURATORIAL

Alan Bishop mixes AM and FM radio emissions and other sources to create a radio collage work.

EXTRA

Transcript of the conversation between Tetsuo Kogawa and Yasunao Tone for LINES OF SIGHT #7.

QUADERNS D'ÀUDIO

"Radio Music" connects three examples from the history of the potential of the radio receiver as musical instrument.

RESEARCH

A monographic on the work and historical context of José Iges, featuring interviews with Concha Jerez and Miguel Álvarez-Fernández.

CURATORIAL

Collaboration by Tetsuo Kogawa and Yasunao Tone, based on an email exchange on radioart.

CURATORIAL

In collaboration with New York-based transmission art organization free103point9 and Galen Joseph-Hunter.

SON[I]A

Interview with Jorge Luis Marzo, leader of the "Hem pres la ràdio" ("We've Taken the Radio") project of the Centre d'Art Santa Mònica.

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