EXTRA

We unearth here the conclusions document of AVANT.

We dig up some unreleased fragments of the interview with the Mexican artist Erick Beltrán.

Transcript of PROBES #3, curated by Chris Cutler.

We dig up some unreleased fragments of the interview with the Catalan artist Perejaume.

This is a conversation by email with the American new age collector Douglas Mcgowan, which took place in Winter 2012.

We dig up some unreleased fragments of
the interview with sound collector Jonny Trunk that we were unable to include the first time around.

We dig up some unreleased fragments of the interview with the Catalan artist Ignasi Aballí.

We dig up an unreleased interview with Jacques Tosquellas to commemorate one hundred years since the birth of his father, the revolutionary Catalan psychiatrist Francesc Tosquelles.

Transcript of PROBES #2, curated by Chris Cutler.

This music selection was used as a teaser for the MEMORABILIA. Collecting sounds with... William Bennett lecture, which took place on April 1st, 2011 at the MACBA, and features some of the highlights of William Bennett’s collection.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.1., curated by Mark Fell and Joe Gilmore.

This music selection was used as a teaser for the MEMORABILIA. Collecting sounds with... Ed Veenstra lecture, which took plave on April 15th, 2011 at the MACBA, and features some of the highlights of Ed Veenstra’s collection.

A conversation between Jens Heitjohann and Anna Ramos about Ràdio Web MACBA's conceptual framework.

We dig up some unreleased fragments of the interview with the archivist, writer and filmmaker Rick Prelinger.

We dig up some unreleased fragments of the interview with Antonio Ramírez, director of La Central bookshop.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #7.1., curated by Mark Fell and Joe Gilmore.

This is a conversation by email with the Spanish Gramophonic collector Anki Toner, which took place in Summer 2012.

We dig up some unreleased fragments of the interview with sound collector Kenneth Goldsmith that we were unable to include the first time around.

Transcript of our new Curatorial series PROBES #1, curated by Chris Cutler.

Transcript of Ed Veenstra's lecture: "Broken Music, anti-records and object records".

Transcript of VARIATIONS #7. The Composer, curated by Jon Leidecker.

Transcript of William Bennett's lecture: "Musical homeostasis: music not just to be heard".

Transcript of the conversation between Tetsuo Kogawa and Yasunao Tone for LINES OF SIGHT #7.

Transcript of Kenneth Goldsmith's lecture: "From collector to archivist: seven thoughts".

This is a conversation by email with record and sound collector Jonny Trunk, which took place on April-May 2012, to prepare a monograph on his sound collection.

As a teaser for his forthcoming lecture, Jonny Trunk compiles fifteen gems from his very own sound collection.

This is a conversation by email with record and sound collector Kenneth Goldsmith, which took place on April 2012, to prepare a monograph on his sound collection.

As a teaser for his lecture, Kenneth Goldsmith compiles fifteen gems from his very own sound collection.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.1., curated by Mark Fell and Joe Gilmore.

Excerpts from a 2003 conversation between Carles Guerra and Richard Hamilton.

This is a conversation by email with composer, improviser and sound artist Joel Peterson, which took place on February-March 2012.

Transcript of JOHN CAGE. Notes towards a re-reading of the “Roaratorio”, curated by José Manuel Berenguer and Carlos Gómez.

We dig up some unreleased fragments of the interview with sound collector William Bennett that we were unable to include the first time around.

Transcript of THE MALADY OF WRITING. Modernism you can dance to, curated by Kenneth Goldsmith.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.1., curated by Mark Fell and Joe Gilmore.

Mark Gergis, a regular collaborator with Sublime Frequencies, explains the project's philosophy and the cultural, logistical and esoteric implications of collecting music from a culture other than one's own.

We dig up some unreleased fragments of the interview with the writer, philosopher and political and cultural Franco Berardi.

We dig up some unreleased fragments of the interview with sound collector Mark Gergis that we were unable to include the first time around.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #4.1., curated by Mark Fell and Joe Gilmore.

Transcript of TV ON THE RADIO #2, curated by Kenneth Goldsmith.

Transcript of VARIATIONS #6. The Library, curated by Jon Leidecker.

Transcript of TV ON THE RADIO #1, curated by Kenneth Goldsmith.

Transcript of FLUXRADIO, curated by Joe Gilmore and Rhiannon Silver.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.1., curated by Mark Fell and Joe Gilmore.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #2.1., curated by Mark Fell and Joe Gilmore.

A compilation of the lyrics and the English translations of the Deutsche Kassettentäter music selection by Felix Kubin.

Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.1., curated by Mark Fell and Joe Gilmore.

Transcript of VARIATIONS #5. The Discipline, curated by Jon Leidecker.

This is a conversation by email with ephemeral film collector Rick Prelinger, which took place on April 2011.

This is a conversation by email with record and sound collector Mark Gergis, which took place on April 2011, to prepare a monograph on his sound collection.

The technical aspects behind the sound installation '# 04 Natascha Sadr Haghighian. De paso', explained by the artist herself.

This is a conversation by email with Dutch collector Ed Veenstra, which took place on April 2011, to prepare a monograph on his sound collection.

This is a conversation by email with William Bennett (Whitehouse), which took place on March 2011, to prepare a monograph on his sound collection.

Transcript of VARIATIONS #4. The Explosion, curated by Jon Leidecker.

Transcript of VARIATIONS #3. The Approach, curated by Jon Leidecker.

Transcript of VARIATIONS #2. The Globe, curated by Jon Leidecker.