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					<title><![CDATA[#5 Processes and systems in computer music; from meta to matter]]></title>
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					<description><![CDATA[How processes and systems were applied in early experimental music.]]></description>
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					<title><![CDATA[#4 The road to plunderphonia]]></title>
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					<description><![CDATA[Chris Cutler investigates how the fact and the practice of sound recording have transformed every aspect of production and reception in the field of organised sound, creating wholly new genres and understandings. ]]></description>
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					<title><![CDATA[#3 Radio Music]]></title>
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					<description><![CDATA["Radio Music" connects three examples from the history of the potential of the radio receiver as musical instrument.]]></description>
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					<title><![CDATA[#2 Cuaderno de Yokohoma]]></title>
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					<description><![CDATA[A compilation of a series of previously unpublished graphic scores made by Barber in Yokohama (Japan) in 2005.]]></description>
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					<title><![CDATA[#1 BLACKOUT. Representation, transformation and de-control in the sound work of Yasunao Tone]]></title>
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					<description><![CDATA[An introduction to the work and methodology of Japanese artist Yasunao Tone. The essay is based upon several conversations with the artist and some of his collaborators.
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